Wolf Kahn (1927-2020)

Sky the Color of Peach, 2010

Pastel on paper

22" x 30"

Wolf Kahn (1927-2020)

Dark but Transparent, 2007

Pastel on paper

22" x 30"

Wolf Kahn (1927-2020)

One Bent Tree, 2007

Pastel on paper

29" x 41"

Wolf Kahn (1927-2020)

Blue in Back, 2007

Pastel on paper

18" x 12"

Wolf Kahn (1927-2020)

Trees by a Watercourse, 2007

Pastel on paper

22" x 30"

Wolf Kahn (1927-2020)

Midvalue Horizon, 2006-7

Pastel on paper

14" x 22"

Wolf Kahn (1927-2020)

Near and Far, 2006

Pastel on paper

22" x 30"

Wolf Kahn (1927-2020)

Low Barn in Little Washington, VA, 2005

Pastel on paper

22" x 30"

Wolf Kahn (1927-2020)

Into the Distance, 2004

Pastel on paper

11" x 14"

Wolf Kahn (1927-2020)

Yellow Rise, 2002

Pastel on paper

26-1/2" x 19-3/4"

Wolf Kahn (1927-2020)

Screen, 2002

Pastel on paper

21" x 27"

Wolf Kahn (1927-2020)

Through Near Pines to a Far Meadow, 1999

Pastel on paper

14" x 10-1/2"

Wolf Kahn (1927-2020)

Dense Green, 1991

Pastel on paper

9" x 12"

Wolf Kahn (1927-2020)

Complimentary, 1987

Pastel on paper

22-3/8" x 30"

Wolf Kahn (1927-2020)

Large C & O Canal, 1983-4

Pastel on paper

30-1/4" x 44"

Press Release

“I’m interested in an overriding rhythm. I’m trying to get beyond intention.”—Wolf Kahn

Wolf Kahn (1927-2020) depicted the American landscape as a brilliant fusion of color, light, and gesture, embodying both representation and his training with the influential Abstract Expressionist artist and teacher Hans Hoffman. Radical in his approach to color and devoted to experimentation, Kahn asserted, “I’m always trying to get to a danger point in color, where color either becomes too sweet or it becomes too harsh, it becomes too noisy or too quiet, and at that point I still want the picture to be strong, forceful, and the carrier of everything that a painting has to have—contrast, drama, austerity.”

Foundational to Kahn’s approach is his work in oil pastels, a lush, expressive medium that offers both direct engagement with his subject and an essential site of experimentation. His eloquent touch is transmitted through quick, staccato marks and layered veils of color, revealing his virtuosic handling of the pastel medium and his exceptional ability to capture fleeting atmospheric effects.

Born in Stuttgart, Germany, Wolf Kahn fled Nazi Germany to Britain through the Kindertransport in the late 1930s and immigrated to New York City in 1940, where he graduated from the High School of Music and Art. After serving in the Navy, Kahn began his studies with Hoffmann, eventually becoming his studio assistant. In 1950, he enrolled at the University of Chicago, earning his Bachelor of Arts degree. His first solo exhibition in 1953 at the Hansa Gallery in New York was a critical success, and he went on to become one of the most noted colorists in American art.

Kahn’s work has been exhibited at galleries and museums throughout North America. He received a Fulbright Scholarship, a John Simon Guggenheim Fellowship, the Award in Art from the American Academy of Arts and Letters, and the Medal of Arts from the State Department. His work is in many museum collections, including The Metropolitan Museum of Art, New York, NY; The Whitney Museum of American Art, New York, NY; The Museum of Modern Art, New York, NY; The Museum of Fine Arts, Boston, MA; The Hirshhorn Museum and Sculpture Garden, Washington, DC; The Los Angeles County Museum of Art, Los Angeles, CA; and The Smithsonian American Art Museum, Washington, DC.

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