
David Vickery
Maple Juice Cove Autumn, 2023
Oil on panel
16" x 20"
David Vickery
Olson Sawmill, Cushing, 2022
Oil on panel
11" x 25"
David Vickery
Victorian Eccentric, 2024
Oil on panel
15" x 15"
David Vickery
Hot Fat, 2024
Oil on panel
16" x 20"
David Vickery
Shingled Steeple, 2023
Oil on panel
16" x 16"
David Vickery
Village at Dusk, Monhegan, 2024
Oil on panel
31-1/4" x 32"
SOLD
David Vickery
Chadwick House, Dusk, Monhegan, 2024
Oil on panel
17-1/2" x 25"
SOLD
David Vickery
Tenant's Harbor Shutters, 2024
Oil on panel
16" x 16"
David Vickery
Monhegan May, 2024
Oil on panel
15-1/2" x 21-1/2"
SOLD
David Vickery
Mayer Farm III, 2012-19
Oil on panel
14" x 14"
David Vickery
Perry Cottage II, 2025
Oil on panel
21-1/2" x 15-1/2"
David Vickery
Village Overlook (Monhegan), 2025
Oil on panel
24" x 24"
David Vickery
Plumtrees School (Bethel, CT), 2025
Oil on panel
24" x 20"
David Vickery
Marbles with Red
Oil on panel
14-1/2" x 15-1/2"
SOLD
David Vickery
Hinge, Monhegan, 2023
Oil on panel
10-1/2" x 8"
David Vickery
Strap Hinge, 2023
Oil on panel
10-1/2" x 10"
David Vickery
Window with Bell, 2022
Oil on panel
9" x 9"
David Vickery
Double Gable, Islesboro, 2021
Oil on panel
9" x 16"
SOLD
David Vickery
Meeting House II, 2022
Oil on panel
14" x 12"
David Vickery
Gay Island, Winter, 2019
Oil on panel
12" x 12"
SOLD
David Vickery
Bell Tower, Monhegan Church, 2021
Oil on panel
14" x 13"
SOLD
David Vickery
Vaughan House, Dusk, Monhegan, 2020
Oil on panel
15" x 16"
SOLD
David Vickery
Drawn Shade, Monhegan, 2022
Oil on panel
19-7/8" x 13-5/8"
SOLD
David Vickery
Snow Moon, 2021
Oil on panel
18" x 18"
SOLD
David Vickery
St. George Moonrise, 2020
Oil on aluminum panel
32" x 30"
SOLD
David Vickery
Boreal Moonrise
Oil on panel
24" x 36"
SOLD
David Vickery
Domino, 2019
Oil on aluminum panel
16" x 12"
SOLD
David Vickery
Church Window, Monhegan
Oil on panel
14-3/4" x 12"
David Vickery
Rockport
Oil on canvas
30" x 32"
David Vickery
Vane and Clouds, South Cushing Baptist Church
Oil on panel
12" x 10"
David Vickery
Newell Post, Kent House, Monhegan
Oil on panel
9-1/2" x 9"
SOLD
David Vickery
Island Line (Monhegan)
Oil on panel
35" x 24"
David Vickery
Perigee Moon over St. George River
Oil on panel
43h x 24 3/4w in
SOLD
David Vickery
Descent
Oil on linen
30" x 40"
SOLD
David Vickery
Crescent
Oil on panel
36-1/2h x 32w in
David Vickery
Lower Light
Oil on panel
28h x 16w in
SOLD
David Vickery
Orange Crush
Oil on panel
24" x 24"
SOLD
David Vickery
Broad Cove Market
Oil on panel
14" x 18"
SOLD

The painter David Vickery explores space: outdoor, indoor, around, above, across, beyond. He is equally expert at representing the parlor and the panorama, the intimate and the out there.

David Vickery’s painting, Monhegan Mowers, is on the cover of the Winter 2014 issue of The Gettysburg Review. An interior feature includes five other paintings: Island Line, Dormer, Wheelbarrow, Monhegan, Staircase, and January First.

David Vickery was featured in Carl Little’s article, “Painter & Place: No Getting Over Monhegan”, in the April 2013 Maine Home + Design. In the article, Carl remarks that David has “embraced a style that he has come to call ‘precise realism’: a close reading of motifs, including architectural subjects that often have a psychological edge.”

An excerpt:
Tell us something about your work.
It’s precise realism, or naturalism, of local scenes and interiors with an eye to contemporary relevance and a connection between the natural and man-made.
What’s the best part of being a full time, working artist?
Being able to do what I want, keep my own hours, pursue personal, eccentric ideas and have the resulting work appreciated.
David Vickery makes carefully composed, exquisitely crafted paintings that arrest the eye, that draw our attention to the particular within the everyday—a bit of sky and dark evergreens reflected in an oblique window, a network of leafless trees casting their shadows against white clapboards, the warm glow of a lit interior framed within the crisp geometry of a grey house—the transitory nature of light and places where the natural and manufactured connect. His subjects are primarily drawn from his immediate environment, the landscape, and local villages near his studio in Cushing, Maine, and from his annual trips to Monhegan Island. The images are built up slowly in several thin layers of oil and varnish, a deliberate, contemplative process that lends a meditative quality to the finished, highly detailed paintings.
Vickery received his BA from the College of the Atlantic, Bar Harbor, ME. His work is in the Farnsworth Art Museum's collection and many private and corporate collections throughout the United States. It has been featured in numerous solo and group exhibitions in Maine, New York, and Boston, including at Courthouse Gallery, Ellsworth, ME; Sherry French Gallery, New York, NY; Beth Urdang Gallery, Boston, MA; Center for Maine Contemporary Art, Rockport, ME; and the Farnsworth Art Museum. In 1993, he was an artist-in-resident at Carina House, Monhegan Island, ME. Vickery's work is included in the books Paintings Of New England (Carl Little/Arnold Skolnick, 1996), Art of Monhegan Island (Carl Little/Arnold Skolnick, 2004), and Art of Penobscot Bay (Carl Little/David Little, 2023). He lives and works in Cushing, ME.
