Marilynn Gelfman Karp
Bower Bird Stash, 2022
Mixed media
16" x 11" x 2 1/2"
Marilynn Gelfman Karp
Bivalve and Thorn Riff, 2022
Mixed media
7" x 9 1/2" x 9 1/2"
SOLD
Marilynn Gelfman Karp
Crystal Fortune Ball Specimen, 2022
Mixed media
4" x 4 1/2" diameter
Marilynn Gelfman Karp
Dazzling Cantaloupe, 2022
Mixed media
5" x 6" x 5"
Marilynn Gelfman Karp
Eye of the Tornado, 2022
Mixed media
7 1/2" x 5" diameter
Marilynn Gelfman Karp
Fireworks Asteroid Specimen, 2022
Mixed media
11" x 7" diameter
Marilynn Gelfman Karp
Flashy Forest Specimen, 2022
Mixed media
9 3/4" x 8 1/2" x 3 1/2"
Marilynn Gelfman Karp
Fraternal Pods, 2022
Mixed media
5" x 6" x 4"
Marilynn Gelfman Karp
Hidey Holes Tower, 2022
Mixed media
9" x 7" x 7"
Marilynn Gelfman Karp
Holey Moley Tower, 2022
Mixed media
4 1/4" x 7" x 7"
SOLD
Marilynn Gelfman Karp
Perfectionist's Magpie Garden, 2022
Mixed media
7" x 3 3/4" x 3 3/4"
Marilynn Gelfman Karp
Magpie Garden with Parasol, 2022
Mixed media
9 1/2" x 7" diameter
Marilynn Gelfman Karp
Petrified Wood in Bloom Specimen, 2022
Mixed media
6" x 6" x 4"
Marilynn Gelfman Karp
Prism in Slag, 2022
Mixed media
2 3/4" x 4 1/4" x 3 3/4"
Marilynn Gelfman Karp
Raised Garden with Unexpected Blooms, 2022
Mixed media
6" 1/2" x 3 1/2" x 8 1/2"
Marilynn Gelfman Karp
St. Francis in Hive, 2022
Mixed media
10 3/4" x 6 3/4" x 1 1/4"
Marilynn Gelfman Karp
Thorny Cache at Low Tide, 2022
Mixed media
8" x 8" x 8"
SOLD
Marilynn Gelfman Karp
Threaded Trunk Specimen, 2022
Mixed media
11" x 9" x 9"
Marilynn Gelfman Karp
Three Springs Specimen, 2022
Mixed media
3 1/2" x 7" x 6"
Marilynn Gelfman Karp
Wedge Fungus and Burl Riff, 2022
Mixed media
10" x 8" x 7"
Marilynn Gelfman Karp
Yellow Pod Specimen, 2022
Mixed media
6" x 5" diameter
SOLD
Marilynn Gelfman Karp
Mussel Shell Specimen, 2020
Mixed media
7 1/2" x 6" x 2 1/2"
Marilynn Gelfman Karp
Magpie Garden Specimen 03, 2020
Mixed media
3" x 11 3/4" x 4"
Marilynn Gelfman Karp
Trans-cut Specimen, 2020
Mixed media
9 1/2" x 8 1/2" x 10"
Marilynn Gelfman Karp
Path to the Bowerbird's Estate, 2020
Mixed media
1 1/4" x 27" x 3 1/2"
Marilynn Gelfman Karp
Exterior Embed Specimen, 2020
Mixed media
3" x 5 1/2" x 4 1/2"
Marilynn Gelfman Karp
Perfectionist Magpie Specimen, 2020
Mixed media
4 3/4" x 4" x 4 1/4"
Marilynn Gelfman Karp
Aquarium Specimen 02, 2020
Mixed media
6 1/2" x 4" x 4"
Marilynn Gelfman Karp
Magpie Garden Specimen 02, 2020
Mixed media
2 1/4h x 6 1/2w x 2 1/2d in
Marilynn Gelfman Karp
Magpie Lode Specimen 06, 2019-2020
Mixed media
5 1/4" x 3 1/2"
Marilynn Gelfman Karp
Magpie Lode Specimen 07, 2019-2020
Mixed media
4 3/4" x 3 1/4"
Marilynn Gelfman Karp
OCD Magpie Cache 01, 2019-2020
Mixed media
4" x 3 1/4"
SOLD
Marilynn Gelfman Karp
OCD Magpie Cache 04, 2019-2020
Mixed media
4 3/4" x 3 1/4"
Marilynn Gelfman Karp
Birdseye View of Beeland 01, 2018-2019
Mixed media
8" diameter
Marilynn Gelfman Karp
Birdseye View of Vesuvius, 2019-2020
Mixed media
7" diameter
Marilynn Gelfman Karp
Magpie & Bee Riff 02, 2019-2020
Mixed media
8" x 6 3/4"
Marilynn Gelfman Karp
Mercator View of Beeland, 2018-2019
Mixed media
6" x 14"
Marilynn Karp is a sculptor whose mixed media, found object works are represented in collections nationally and abroad. She holds a doctorate in physics and aesthetics and has taught art and material culture at New York University for 42 years. Karp is the author of In Flagrante Collecto: Caught in the Act of Collecting (Abrams 2006) as well as the forthcoming book Uncorked: A Corkscrew Collection (Abbeville 2020). She has given interviews, presented papers, and appeared on panels at museums and universities on various topics within the purview of collecting. She is the president of the Anonymous Arts Recovery Society, and a trustee and board member of the Preservation League of New York State. Karp divides her time between her New York City studio and a farmhouse in upstate New York.
“Immersed in the rural landscape, I found miraculously enlightening instances of the mergence of the natural and the manmade by birds and insects. This has informed and adapted my eye to the bird’s eye view and the wasp’s stunning utilization of architecture and utility meters as habitats. I now play their game with their abandoned nests and turn the tables to invent what they might have done in different times and places. As an avid observer of material culture, my sculptures suggest that the impetus to acquire, organize, and integrate is proof that the hunter-gatherer instinct is alive and well.”
- Marilynn Karp